I loved you yesterday
"This is part of the paradox of her work – it is as much about formal qualities and beauty as it is about the evocation of impending doom or unease. Indeed there is a seductive weightlessness to the effervescent application of paint that belies the paintings' thornier content.....the viewer's vision shudders across the surface: the point of focus staggered over the painting, denying a single point of perspective and a conventional reading of foreground and background. Here, the historical specificities...
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